: The Sahitya-Darpana or Mirror of Composition of Visvanatha: A Treatise on Poetical Criticism (): J.R. Ballantyne, Pramada Dasa . Sahitya-darpana: With English translation and an original Sanskrit commentary [ VisÌ vanaÌ„tha KaviraÌ„ja] on *FREE* shipping on qualifying offers. Get this from a library! Sahitya-darpana: with English translation and an original Sanskrit commentary. [Viśvanātha Kavirāja.; Kumudra-Rañjana Ray].

Author: Moogur Kalabar
Country: Cayman Islands
Language: English (Spanish)
Genre: Sex
Published (Last): 10 March 2017
Pages: 206
PDF File Size: 4.6 Mb
ePub File Size: 8.11 Mb
ISBN: 265-2-54985-925-2
Downloads: 87158
Price: Free* [*Free Regsitration Required]
Uploader: Tozahn

This article includes a list of referencesbut sahitya darpana sources remain unclear because it has insufficient inline citations.

Narayana Dasa’s brother, Chandi Dasa, wrote a commentary on Kavyaprakashaan earlier work on poetics, written by aesthetician Mammatha. Viswanatha is supposed to have mastered eighteen languages. Retrieved from ” https: He wrote equally easily in Sanskrit and Sahitya darpana.

The former deals with riti s sahitya darpana styles, sahitya darpana the last chapter explains the theories with examples. In absence of availability sahihya exact dates of his birth and date, the periods of their rules i. Sahitya Akademi, Delhi India has recently published a book on the life and works of Vishvanatha Kaviraja, under its ‘Makers of Indian Literature’ series.

In the third — and one of the most important — it defines rasa. Eliotcenturies later, called objective correlative. Sahityadarpana is different from earlier works in aesthetics in two major ways. Sahityadarpana has sahitya darpana been criticised as being more a compilation than an original work.

Viswanatha Kavirajamost widely known for his masterpiece in aestheticsSahityadarpana[1] was a prolific poet, scholar, and rhetorician sahitya darpana ascended literary heights sahitya darpana the reigns of two successive Sahitja rulers of Kalinga Sahitya darpana the modern Orissa — King Narasimha Deva IV and King Nishanka Bhanudeva IV. There too, Viswanatha, does not agree with the equal importance given to the three types of dhvani as classified sahitya darpana ninth century Kashmiri aesthetician, Anandavardhana, who in sarpana book, Dhvanalokaactually established the dhvani school of poetics.

Some of his major works include Chandrakala Natika playletPrabhavati Parinaya dramaRaghava Vilasa long poem sahiyta, Raghava Vilapa poemSahitya darpana Charita poem in PrakritPrasasti Ratnavali poem in sixteen languagesNarasimha Vijaya poemSahityadarpana study in aesthetics saahitya, Kavyaprakasha darpana criticismKamsavadha poemand Lakshmistava verses.

TOP Related  ISO 10791-2 PDF DOWNLOAD

Apart from studying and researching aesthetics, he created a darpanx of literary works, in all the branches of literature — poetry, prose, criticism, and drama. Both Viswanatha and his father held the titles of ministers of war sahitya darpana peace Sandhivigrahika Mahapatra in the courts of the kings of Kalinga.

In fact, he wrote one of his works, Prasasti Ratnavali in sixteen languages [ citation needed ].

One, for sanitya first time, it combined, in one treatise, both the sravya aspect poetics and drisya aspect dramaturgy of sahitya darpana. Also, while earlier writers on the subject, had by and large confined themselves to their own school of thought, only referring intermittently, if at sahitya darpana to sahitya darpana schools, Viswanatha, in Sahityadarpanaexplicitly discussed all schools and thoughts of Indian aesthetics, before arguing the superiority of the dhvani school.

Viswanatha was not just prolific he was equally versatile. Sahktya Read Edit View history.

Sahitya Darpana : Mitra, Pradadasa, Tr. : Free Download, Borrow, and Streaming : Internet Archive

Please help to improve this article by introducing more precise citations. In the first chapter, it defines poetry.

However, even its harshest critics agree that it is the most comprehensive work sahitya darpana the subject. Many also particularly point to the lucid style of Sahityadarpana as one of the prime reasons daepana its sahitya darpana in large sahitya darpana of India, from the Deccan to Kashmir. While the first chapter deals with Sanskrit poetics in the making, the second one discusses Vishvanatha’s theory of poetry explaining the intricate structure of sahityya poetics.

By using this site, you agree to the Terms of Use and Privacy Policy. From Wikipedia, the free encyclopedia.

Sahityadarpana “mirror of composition” in Sanskrit sahitya darpana Viswanatha’s most famous work and arguably one of the most comprehensive works in Indian aesthetics. Indian male poets Dramatists and playwrights from Odisha Sanskrit dramatists and playwrights Indian literary critics Indian male dramatists and playwrights 14th-century Indian sahitua and playwrights 15th-century Indian dramatists and playwrights 14th-century Indian poets 15th-century Indian poets Poets from Odisha.


Retrieved 10 February His grandfather, Narayana Dasa, wrote a sahitya darpana on Gitagovindathe most well-known Sanskrit work in the Vaishnavite tradition, written by Jayadevaanother major Sanskrit poet from Kalingawho lived in circa AD. Daroana Learn how and when to remove this sahitya darpana message.

In the sahitya darpana chapter, it defines what a sentence or composition is.

Sahitya Darpana of Vishwanath (with Exhaustive Notes)

This page was last edited on 5 Decemberat Rasaa complex concept used in Sanskrit aesthetics, from first century onwards, is conceptually fairly similar to what T.

Sahitya darpana other important chapters are chapter six, which deals with dramaturgy, and the ninth and tenth chapters. Sahityadrpana’s definition sahitya darpana poetry — vakyam rasatmakam kavyam any composition which gives tasteful pleasure is poetry has been cited most frequently by modern critics while defining poetry.

Viswantha’s sagitya, Chandrashekhara also wrote a few poems. Sahityadarpana has ten chapters. The book has two sahitya darpana chapters with an elaborate introduction to the life and works of Vishvanatha providing all historical data.

Before Viswanatha, aestheticians had confined themselves largely to one aspect, though they often referred to the other. The book attempts at offering a comprehensive account of his treatment of poetry, sahihya the historical data in its theoretical perspectives, surveys the development of Sanskrit poetics from the earlier times till his entry, and discusses different topics he considered relevant for a complete examination and assessment of the subject matter he deals with such as the definition, structure and end of poetry.

Viswanatha was sahitya darpana to an illustrious family of scholars and poets. Viswanatha concludes that rasa dhvani is what defines poetry. Sahifya page book has been authored by Professor Ananta Charan Sukla, sahitya darpana eminent writer and philosopher of art, religion and language.